Quote Originally Posted by jmcrook View Post
Oh I miss those days of being a studio rat with everyone into the wee hours... debating doing back to the studio now and working on a different project that’s been on the back burner for a couple weeks. My primary process that I work in is mezzotint engraving. It’s my favorite thing ever. Here’s a sneak peek of one of the copper plates I’m currently engraving

Part of a larger series of work about an abandoned mall and how shifts in consumer culture and capitalism has impacted the appearance of the landscape and the architecture that we’ve built on it


Sent from my iPhone using Tapatalk
WOW.

...just wow. a Master you are indeed. the way you painted the light is wonderful. the composition, the subject matter, what a cool piece.

i do a lot of logowork; it would be cool to make a...etching? (what's the term? lol) of one of them. do you have any links or resources for someone wanted to get their toes wet?

i worked at a printing press in college; i ran the silkscreen and made all the emulsions and screens and ran the inks. that's about as close to printmaking as i got.

i miss being a studio rat myself. my junior year they attempted to star a curfew of the buildings, and you needed a signed and authorised pass to be inside. well, every single art professor gave us the passes whenever we needed, and even insisted we call them if we had an issue. this policy didn't last into my senior year LOL.