Since a few people have asked, here is the rundown on how I am able to get these kinds of results without breaking the bank. Just like everything in life, you have to know where you want to end up and make a plan to get you there. Hopefully this helps you do just that!
The equipment:
- Camera: Nikon COOLPIX L110 (an inexpensive point and shoot I received as a gift years ago)
- Tripod: Brandless 60" Aluminum Tripod
- Light Tent: NEEWER 20" Cube Tent
- Lighting: Fovitec StudioPRO 450W Continuous 5500K Reflector Kit
- Background: Staples White Posterboard, 22" x 28" (trimmed down to 19.5" wide)
- Flat Surface: Totally Bamboo Kauai Cutting Board (under the background to ensure a flat surface)
- Color Balancing Software: GIMP (yes, there's a learning curve - it's simple once you get used to it)
- Photo Editing Software: Inkscape (yes, there's a learning curve - it's simple once you get used to it)
- Watermark Software: FastStone Image Viewer (yes, there's a learning curve - there's also a thread on this site to help)
The educational tools:
- Reptile Photography 101 by Anthony Caponetto
- Best camera settings for indoor still life photography by Digital Camera World
- Ten Product Photography Tips by Smick.co.uk
The reality:
- I only have auto-focus mode - no manual control at all in these pictures.
- I don't have any additional lenses - just the original camera and that's it.
- The only setting that I can actually fully control on my camera is ISO, which I have set at 100.
- I also have some control over the white balance, which I set to the "Daylight" setting.
- I have almost no control over the shutter speed, but it usually ends up in the 1/60-1/100 range (which it chooses itself when it focuses).
- I have almost no control over the aperture. The camera only allows for 3.5-5.4, and usually ends up in the 4.0 range (which it chooses itself when it focuses).
- Once I have these things "set", I take a ton of pictures and pick out a few that I want to work with.
- Once I sort through the pictures I like, I use GIMP to quickly white balance one of them and then apply that setting to the rest of the shots in the session.
- I then use Inscape to crop the images to the size I want and make sure the background is a crisp 255 white.
- Finally, I add my watermark by batch converting the finished pictures in FastStone.
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